24 October 2008

We must not mine the moon يـنـبغى عدم التعدين على القمر



يتوجب على البشرية الإمتناع عن إستخراج المعادن من القمر لحين توفر تقنيات الدفع التى
تسمح بإستغلال الثروات المعدنية للأجرام السماوية الأبعد.

ذلك لأننا لا نعلم الا القليل عن أثر القمر على الدورات الحيوية و المائية على الأرض بخلاف الآثار التجاذبية المتمثلة فى حركة المد و الجذر.

من شأن عمليات التعدين الصناعى على القمر ما قد يؤدى لتكون غلاف من التلوث ناتج من غازات العادم و تناثر جسيمات التربة القمرية قد يؤدى الى إحتباس حرارى غلى سطح القمر.

بالإضافة الى هذا ما هى آثار الكثير من عمليات الهبوط و الإقلاع على جسم يقل فى كتلته و حجمه (مائة مرة فى الحالتين) و كثافته (النصف) عن الأرض؟

لذا يتوجب الحذر المتمثل فى حظر على الإضرار بالتوازن الدقيق للنظام الأرضى-القمرى فى أى تخطيط بعيد المدى لإستغلال ثروات المجموعة الشمسية.





One cannot stress this strongly enough: there must not be any mining on the moon.

This must be an important component in any space colonization strategy.

Once with propulsion costs overcome there is ample opportunity for mineral extraction throughout the solar system. But until we have the breakthroughs in propulsion and efficiency to motivate the endeavour we must persevere and resist the temptation to exploit the moon minerally as the prohibitiveness of the cost of moon mining will likely be overcome before that of the mining of much further objects like asteroids or Mars.

The moon's importance to the global biotic and water cycles is known only through the tidal effects of gravitation. But little else is known. Thus we do not know how a lot of high powered landings , take-offs and mining can affect the moon , its properties and perhaps even its motion.

Unforeseen effects which have haunted much of human modern (==global-scale) technology can be as bad as those experienced on Earth today or worse.

Such risk is definitely not worth it.

There are enough minerals in Earth to cover humanity's needs indefinitely or until some ecologically-imposed limit. There is no need whatever to risk damaging a delicate and intricate Earth-moon system in the time it will take to make heavy-payload interplanetary travel cheap enough for industrial exploitation. ... Read more

nice UI v latent critique

Video using the ITheora player and the Theora video format.

.

The "UI" refers to the rotating desktop environment in the video.


27.X.2008

Criticism to follow would be in order.

So - i don't wanna play the file again so memory might fail - the user in the vid uses several pieces of software on different desktops and virtual platforms, but how is this different from running all the software he ran on the same machine, perhaps on multiple desktops as has been possible with linux and solaris for the past umpteen years? The only difference is that 3d finding nemo school of fish and whales . But do I really need that when i'm trying to render a 3d model of a humongous data set with some software? or when i'm trying to test the performance of some java Web Publishing Platform and rule engine combination ? In other words, for computer usage that requires performance , this pretty cube is undesirable. Unless on sitting on terabytes of memory; but this is rarely the case except in very big high-risk servers. and ironically, all any important realtime server, will be addressed with a minimal sort of graphic UI on control consoles.

So who else would benefit from the pretty linux UI except those that actually do nothing with their computers but open and close web browsers and play videos ?

Ironically again, a lot of those will become stuck at some point on some linux arcanum that would frustrate the aesthetic gains.

Though linux, does have other gains to be fair. ... Read more

My eyes have seen you

Theora is an open video codec. perhaps; since i don't know the difference between a codec, an encoder, a format. i could distinguish a player from the foregoing. there are however also media containers. So the open source eager beaver coders don't actually have to do anything but skin up the container and reduce it to a subset of functions of their choice.



It comes from the open source Xiph.org Foundation and community; which in part speaks french.







They are the people who brought us the Ogg Vorbis and FLAC audio codecs.





There is a Theora wiki



which lists links to Theora video players like ITheora. It is an alternative to proprietary players and flash video. Their motto is "you can tube but I Theora".



Both the theora wiki and ITheora link to Theora Sea, a video sharing area that links to videos that the users themselves host locally rather than upload.


... Read more

The killing of children in schools must Stop!

The continued murder of Children in Khorasan and the Sindh (Pak-Afghan) by Americans, NATO and other "coalition" members - or by others anywhere - should be stopped!

It behooves the civilized world to take action to stop this impunity, and stop such bleeding.

Mind you , this leaves as "civilized world" only some of the nations of the Non-Aligned movement (it still exists, if they want it). [note: they are civilized rather in their ethical compass though less so in their civic habits :) ]

The murder of children for attending a school to study the Qur'an serves none of the stated purposes of the perpetrators, though it may serve rather sinister unstated ones. It smacks of a religious genocide here, or at best an attempt to uproot natural vectors of a religion's history and sociological trends by lethal force , by martial force, by the unconscionable instrument of war.

We should have seen by now that attempts to tinker with nature, to alter a naturally evolved path has terrible consequences. Due to our ignorance of what we're pretending to understand and presuming to alter , it disrupts the whole system and sends natural equilibria into disarray.

Those actions are not justifiable on religious grounds, because the initial effort to even closely understand the "other" (the target of hostility) has not even yet begun. It has been rejected not on lack of intellectual or spiritual merit, but on zealous prejudice, and a priori rejection.

It is an action motivated at the base by concerns of financial and ethnocultural supremacy.

I think dollar to dollar, we could calculate that erradication of religiosity in a tribal country that translates into a stemming of anti-colonial intellectual and political activity among muslims at large, or at best an altering in muslim mainstream dogma that would be more amenable to presentday neoliberal economic beleifs could ultimately translate into a few millions more dollars in increased profits for multinationals in some ideal future, decades from now.

Is this what it is then? this "war"? And since when is shooting fish in a barrel - mind you with unmanned drones, perhaps remote controlled like video games and toys - called a war? And since is war anything but heinous? And why is "terrorism" or regressivism or even fundamentalism, a war and not a crime???

We will be reminded to this date no effort has been made to capture the big kahunas of terrorism organizations.

You want to tell us, a consortium of the most powerful nation states in the world cannot go in and do a house to house sweep until all fugitives are held?

What , you can't bribe the tribes with millions of dollars and services?

You know this Laden guy is not a good man. He is neither a saint, nor a holy man nor a scholar of any authority .

I find it patently unacceotable that any of the tribes would give him shelter for so long. What would be their motivation? Sorry , traditional generosity and oath of protection of guests, just doesn't cut it today. I am not buying it.

If someone wants to be my guest and then he brings down a world war on my head, sorry but I would ask them to leave. I don't care if I were Godfearing or mother theresa . I would ask them to leave.

Hence the adage, "Something stinks". nearly quite literally, quoth the bard Shakespeare, "something stinks in denmark" . [Actually the quote "Something is rotten in the state of Denmark"]

Not to mention that the tactics of the so-called insurgents themselves are in stark violation of tribal and religious mores.

It is clear then, that either the Laden nexus is a rank illusion , or that the nexus is itself part of the bloody colonialist machinery.

I take this as the most plausible.

Meanwhile this enormous lie is used to justify the murder of children and innocents every day from the air by unmanned drones.

The depths of criminality and cowardice in the above sentence are staggering.

it therefore that we must say again:

It is necessary to save the children and to save freedom and the right to live and the right to be a poor Muslim in a dust bowl village. ... Read more

22 October 2008

life imitating art

I recall the real life images that seem to have provided the direct inspiration to some of herge's cases.

But here is an example of something that seems to take after his art,




The pictures show a research submarine drone and its designer. Details can be found here.

For images showing where some of Hergé's cases imitated life, we have,

"Hergé sous influence !"



and from the excellent site À la découverte de Tintin,

"Le case German Research in World War II"




A picture very similar to the Karaboudjan, here,

... Read more

16 October 2008

Film revu draft: Cloverfield

Reviewing this one from the makers of 'LOST' need not take a lot of writing. All I have to say is:


OMFG , they're pimping 9/11 !!! ... Read more

film revu draft: don't mess with the Zionist

I remember a line from the hit HBO series "Mad Men".

In the episode where Israel and jews are inevitably plugged, the uber dignified and classy jewish retail heiress advises her ad agency exec fling about his Israeli government clients - a not so subtle word to the wise on israelis : "Never cross them!" (the exclamation is mine though).

Sandler makes good on this in his latest soft-porn outing, and does good by his zio-jewish roots.

Putting lipstick (or slapstick) on a pig? You betcha jewish nose, er, ass.

It would be funny, if the pig he was selling wasn't responsible for a continuous stream of war crimes and violations of international law like ethnic cleansing wars of agression and false flag terrorist campaigns.

Of course all the JAP extras in the movie are going gaga over the cod-piece-adorned jewish pretty boy.

Contrary to the apparent patronizing, arab stereotypes remain unchallenged in this shlock and are notched up - but what else could we expect from an israel promotional film?

Here's a joke from the movie: A palestinian business would succeed if only they hired an israeli to pork their neshakhim customers. Geddit? Most arab viewers don't! they just laugh at this shit, not realizing the joke's on them.

Here's another "problem" this film aims to to solve. Arabic mainstream cinema still holding out on profanities, unlike the European counterparts? No problemo. let's work arab profanities into the dialogue of the arab characters used in jewish movies.

The movie makes a lot of points.

First off the bat, Israelis are kickass at hacky sack. Those israelis, they're such peace-loving hippies.

Notice the Arabesque work on the windows at Sandler's israeli home. I couldn't help wondering how many of the American and Arab fans of this movie realize it is probably because the house once belonged to Arabs who were kicked out of it.

And while israelis enjoy the fine healthy low-cholestrol vegetarian cuisine of baba ghanoush and hommos dips , arabs the actual originators of that cuisine and those names eat the bogus "Mukhin Tukhin" - sort of like the Khlash Kalash in the Simpsons episode "Homer vs. the city of the New York" . uh, huh. What else?

Also one learns from this movie that Arabs just love their goats. You gotta wonder why.

And where are the Americans in this movie?

Check out the American's mom getting serviced by the Israeli guys. She doesn't mind even over the protests of her emasculated american son. Must say there's a tad a realism there. After all, if it ain't sexually promiscious it ain't american.

D'ailleurs, only in America does an actor like Sandler get to become a movie star and then get away with bashing and stereotyping Americans as either rich republican community-destroying tycoons or as white supremacist militant gunnuts (or as ex-topless model nymphomaniacs with genital sores like the character portrayed by jewish Lainie Kazan - a real life ex-topless model).

Well, the last i checked Walmart, and all the banks, movie studios and newspapers were owned and run by second and third generation naturalized jewish immigrants.

But why let that get in they way of bashing and demonizing Sandler's own country, huh?

Heck the true blue all-american congressmen and women already debase their own country, way more than Sandler or Shpielberg or Eisner or Weinstein do in their movies.

And Mel Gibson? Bashing Mel Gibson? Ouch.

Why? because he filmed a passion play and said the jews are behind all the wars? It isn't like he was wrong on that one.


There's more. Arabs in the US are not professsionals and academics. But taxi drivers and newspaper stand sellers who order stuff from terrorist shopping lines , and look fearfully over their backs when speaking ill of "Khizballah shmizballah" - as if NYC is awash with arab terrorist ears , rather than with Israeli intel and smuggling mafia.

Back to Arab stereotypes though. Not only they're cab drivers rather than high-end professionals, they're also extremely rude, calling their old lady customers "old cow" and "die in hell".

In contrast of course, the Israeli commando come hair stylist protag is so nice to old ladies, he generates the bulk of the business to the fledgling palestinian hair styling business, literally by turning it into a whorehouse for the aging esteem- and attention-starved ladies.

Are arabs thumbing their nose at this? I highly doubt it. They're too busy eating each other for breakfast and putting each other down , while they're oblivious to this shit. In fact the arabs actually enjoy this crapola, too thick to see the rank anti-arabism and israeli promotion on display here.

The actress' bimbo character has this exchange of lines with Sandnigger, er, Sandler (emphasis mine):

prototypical arab-american bimbo - "i got sick of all the hate, on BOTH sides"
Sandnigger,er, Sandler - "yes , especially yours".

And the arab character takes it, lets that line pass. Her next line?

the model arab female for the jewish producers of this film says: "Both sides crazy".

Both sides crazy?


Where is Said when you need him? Sandler's arab "other" in this film is again feminized. Let me elaborate: It wouldn't be so becoming / seemly /acceptable if jewish commediennes Tina Fey or Molly Shannon or Sarah Silverman played leading parts where they fall in love with an Arab male. Geddit? That's the point.

But to give credit where credit's due, the extras dressed up in veils sitting around John Turturo's character in the one of the scenes at the "mukhy tukhy" restaurant , do indeed look like the veiled Arab sluts and prostitutes that adorn the streets of most Arab capitals. Nice touch , Smigel and Apatow.

Smigel? Smeagul?

In closing, the main point that comes across in this movie is taken: Zionists are as messed up as ever. ... Read more

17 September 2008

film review draft: the happening (2008)

- Dear M. Night,

scenes where a largish number of extras group together doing mostly nothing but "focus" on and follow developments in a protagonist's unfolding personal drama, like talking on the phone to her kids who are facing danger do not work.

you gave us unexpected helpings of such scenes in lady in the water and the village. These in terms of drama do not cut it anymore in terms of believability , since you're a "realist" gothic director would exclude this bullshit from the threshold for sus. of disbelief.

Secondly, they are distracting. even if well played by the extras no one expects a dozen people let alone more to stand around following the conversation of a poor woman in distress on a cell phone no less.

No seriously, drop the sentimentality. Sure give us the hard facts , the drama/action events but don't pause and linger after each one to pout and try to show and savour rather academic emotion. Our emotions are intelligent and elicit themselves by themselves. they don't need these outdated methods to be evoked.

- There was the scientific gaffes which got a thorough drubbing in many filmgoer reviews websites . but one of the criticisms can be overlooked like we had to do in "The ruins" (2007) which is the speed of an evolving plant action , a central premise to the story. ... Read more

music note: the "world" mislabel

a lot of labeling / mislabeling / marketing music as "world" actually does that music a disservice or injustice.

a lot of music called "world" should be simply called "folk".

it would be arrogant to reserve the folk label only to largely anglo-saxon or gaelic music or even restrict it to just european regional musical flavors.

yet other music might now be simply local folk or tinge - but is more distinctly within a well known genre , such as soul , funk , reggae , ska, latin, techno, jazz, pop , gospel choir, dance , etc.

The slapping of a "world!" sticker did not have to be endured in the case of modern latin american music - whose genres were recognized in the english musical lexicon and were identified by the proper names of their own styles ranging from son rhumba and salsa (cuba,...) , bossa nova (brasil) to tango (argentine)

likewise, nor should the tree of genres of musics in africa suffer a "world" label that bypasses the complexity and variety even within localities by omitting naming them with their proper names.

it is notable that some of the latin style names and the way they carry over to african styles from the sahil to the sudan (eg, sudanese rhumba) help in mapping to their sources the many african influences on modern music. ... Read more

Etymo note: the glyph R and Rei, Rex , Ric , rich, Roye , Roy , Roi , Reg, Regular, Regn. , Reign, Reich , Raïs, Ra'is

Proto sinaitic may have had a considerable genealogic influence on proto-canaanite , whence phonoecian and its descendants come (nearly all non-logographic alphabets (as the wikipedia article, "Genealogy of scripts derived from Proto-Sinaitic", also notes.

There is a clear descendance from the hieroglyphic Ra's (head) representation of a head and the proto-sinaic glyph to the proto-canaanite then phonecian P pointing left, then the greek Rho with the glyph P .


the origin of this letter in proto-cananite and phoneician was rather pictorgrammic or ideographic , originally taken from a graphic refernce to "head" part of the human body. this relation persists through proto-sinaitic and to hieroglyphic where the pictogramm is derived.

as such the glyph's logogramic ancestor was a morpheme which semantic content got sublimated abstracted or removed while some graphic form was retained.

so it is ironic that the european term for the monarch , at least starting with latin
"rex" and "regula" would come to be represented with an initial R .

though it is difficult to look at Rex , Rei, ric and ra'is or ra's and not get ideas.

compounding this is that ra` and rais and ra's and the pictogram all originated in the same country, the antecedent in a direct line to the european alphabets.

compound this further with the persistence of the morpheme "ra's" head in semitic language such as arabic. though, here, in the semitic language the glyph is far from the P or R glyph.

On another strain , that is however more tenuous and speculative , the egyptian word Ra' denoting at least a sun god , if not a brahman-type or godhead deity , may have been at the origin of the transition to the latin Rex, a name which would also written with the letter Rho and glyph P which descends from the writing 'head' in proto sinaitic.

This is only one reason to surmise an afro-asiatic origin to the latin Rex .

Another reason could be the glyphic link itself. ... Read more

egypt mother of the world + synthesis from a probabilistic clou

there is another reason to vindicate the proverb / adage "egypt is the mother of the world"

the first reason i'd thought and mentioned before on past blogs is the genetics view that current humanity hail from a stock of a few tens of thousands originating in africa (perhaps east africa) - who thus must have fanned out onto the rest of the ma`moura. This means that they must have passage this passage mostly through Egypt.
Such movement being essentially generational and slow , most if not all of the people of the earth today have had egyptian-born ancestors who may have lived all their lives in egypt - bona fide egyptians.

now the other reason, in light of an earlier language note , would come from a proto-sinaitic script origin to the proto-canaanite->phonecian script .
Such a vector seems to agree with the genetic conjecture that modern humans have come from an original african stock that migrated through egypt.

the proto-canaanite script , via its phonecian and aramaic script descendants has led to most of the alphabets or abjads used in the world today from indochina to europe to the native americans.

this observation also lends credence to the deduction of genetic links that accompany script lineages and divergences.

thus earlier i conjectured earlier that a glyphic lineage link might exist between south arabian and ancient berber and that it might indicate a genetic or ethnic lineage also between the arabian bedouins and the berbers.

now by the same mode of the thought we can also conjecture that a glyphic lineage from proto-sinaitic to proto-canaanite corresponds to a genetic / ethnic lineage between the egyptian people (themselves a link in the genetic chain from the east african stock) and the canaanites and their descdendants who populated the fertile crescent.

Update:
3.XI.2008


It must be recognized that Egypt was not (or could not possibly be) the only route out of Africa. The close relationship between the South Arabian and Ethiopic scripts leaves little doubt as to direct contact across the strait Between Southwestern Arabia and Africa's eastern pseudopod, so-called its horn, that was as intense as that between Phonecians and Greeks. This is in addition to the much-recorded common history of both regions.

Likewise, movement across the Gibraltar strait is not inconceivable, and some suggest that

this raises questions like but whence came the felix arabs? In such trangenerationally slow processes, did south arabia first become inhabited by a population drift from the north and ultimately via sinai? Or was colonialization started by early east african seafarers?

We find that in this transgenerationally slow process of population movement and ethnolinguistic genesis ,

a. more fidelity may be found in a continuum model were movement could have reached there simultaneously or nearly so from both west and north.

b. such movement would likely be bidirectional and indeed omnidirectional. This is after all human activity accumulated over many generations.

The continuum model thus postulates movement of people pretty much in all directions, including a continuum of motion or flow closing the path geographically circumscribing the red sea into a closed cycle of population movement. Even like a vortex. This blurs the certitudes on whether the earliest south arabians came from the north or the west (or even from the east), giving instead a probability distribution. Though I wonder if this would hold up to genetic and protegenic data on the regions involved.

Just taking the physical analogy a qubit further , in its own context (which is inferred from religious text to be open), it is not insignificant historically that the continents were connected, bridged as it were, at Egypt and not in the south. And that the Sinai passage has been in the stewardship or fief of rather than that of others. ... Read more

16 September 2008

language note: language

from http://www.omniglot.com/writing/swahili.htm :

The earliest known manuscript in Swahili, a poetic epic, was written in the Arabic script and dates from 1728. During the the 19th century Swahili was used as the main language of administration by the European colonial powers in East Afrian and under their influence the Latin alphabet was increasingly used to write it. The first Swahili newspaper, Habari ya Mwezi, was published by missionaries in 1895. ... Read more

11 September 2008

film review draft

the wokowschis' Speed Racer

The quickest impression this flick gives is its color styling. the color style is reminiscent of the worst 90s disney and daytime tv cartoon style. as krisfaluci noted on the latter, it is ugly.

When I first saw that flick, I thought woe , that's the wochowskis' matrix - their head trip...
Geuaaaah. At first I thought primary colors? but then no. it was not a primary theme like the 80s Dick tracy . it was ghastly. hello john krisfaluci? whaddaya think of the color styling on that thing?

Another big thing about this flick i guess is the races. nevermind the over the top combat that's going on instead of racing. the thing is, I've played car racing video games before - so the spectacle wasn't new to me. Nor was it new since the spectacle (not very convincing) of roadside combat from the matrix 2 or 3 "recycled" or "unloaded" or whatever it was called.
Point is if a racing game I came across looked like that (there's a racest "environment" in there that looked like a take on that mosque in spain with the many columns and striped arches, but large enough to accomodate the feeding frenzy of racing combat that was going on.

i guess criticizing a wochkowskys' flick is like shooting fish a barrel, or nit picking about how bad a movie made by cinderella's evil stepsisters would be , but here goes.

christina ricci must have been really jonesing for work - as in hasn't been getting any - to work in this affair. Then again, being from the "makers" of the matrix , it was bound to be a hit and a sound biz decision for her.

The sets are terrible.

The conceptions of technology eg computer displays , sets, "workflows" like the workers on the indoor segway highway (segway?) were to be polite, not inspired.

john goodman is not well directed / motivated here. i think i now have a visual of what some reviewers call "phoned in his performance"; though assuming he's a good actor, that'd be harsh.

i didn't like the boy or his persona.

the monkey pet , have they been reading jo zette et jocko ?

They must have been watching however a lot of Pixar. I could see some of Cars in there also Monsters Inc., the Incredibles.

But also Willie wonka and the chocolate factory. wasn't it disney that made the remake?

Cutouts? The big corporate mega conglomerate baddie is keeping a life size cut-out poster of god knows what pre-war industry or racing illustrous personnages in tall hats? What the hell was that.

Don't get me started on the score. Which is odd because just today i checking an early Peter jackson (braindead, 1992) , a real rather provincial (the from down under complex) and primary Jackson material . Anyway , listening to the score on Braindead i could appreciate the effort that was made to punctuate and synchronize with the horror-comedy action. In this flick , however, Speed racer, the score, like other scenes was ham-fisted.

it's like the whockoskis' or whatever don't have good taste in colors or music, or what makes for "impressive" and what doesn't , and what's cool and what's not.

which brings me to that it was not cool - cf. the scene where the CEO and the family on what I guess is the corporate conglomerate's "tour train" slide into what looks like a huge bar with gaudy rococo - think gold guilded over purple , intense fuschia-ish pruple. Also with golden edge lighting occasionally on the actors style of a setting sun ray from across the window.

I now recognize that not all outrageous is "good". There is good outrageous outlandish and there is bad outrageous .

did i mention the snakeoil character?

oh or the childhood memory of a letter murder?

like others (see cloverfield and the prior std fest from spielberg to menachemgolan) they are fixated on the t word.

as i'm listening now to the single "Acceptable in the 80s" by Calvin Harris, it Incidentally feels appropriate.

The visuals (game-like CGItricks and all), the cultural assumptions / pretensions would seem to have worked better in the 80s.

I mean when you got a desert-side fight scene that if you pause looks like a Madness video, you got 80s trash on your hand.

One particularly mean race is set in what seems to be one of the wakoskys' personal nightmares: a sort of hybrid arab/muslim/christian european locality called Casa Cristo, a take on the arabs' casa blanca i guess (the sets in that sequence are all their take on arabesque - that's where the bad guys are hanging out and where the snake oil character - a rival race driver - hails from.

There's also the bashing / stereotyping of france, one of the myriad tv presenters cutaways was a clearly disapproving "disgusted" frenchman.

It's clear now after watching matrices 2 and 3 , the freudian v for vendetta and this , that th re were different creative forces at work on the Matrix (the first , the only one).

I was planning to avoid this doobie if it weren't for a friend's recommendation, whose past recommends fell flat frankly. i just don't learn. ... Read more

05 September 2008

geneaology of scripts





A partial geneaology of scripts with a conjectured interpretation.

legend:
ivory ellipses represent languages
purple edges mean "maybe"
green edges are standard genealogical connections. ... Read more

03 September 2008

etymo note: some cultural notes

many western words cognate with counterparts in the indian languages, particularly hindi , have a B sound in their western branches, that is
substituted with a V sound in the indian languages.

This pattern is also found in some languages neighboring the indian subcontinent such as farsi and turki.

Indeed we find that identity between an eastern V with a western B (phoenician greek romance and germanic - don't know about celtic yet) in the russian or slavic languages as well.


Incidentally this division is more of a true (more literal) east-west division with russia, persia, turkic asia, india on the east * (not mentioning the far east, the more easterly half of this "east") ; and europe , at leastthe western levant ** , and africa on the western side.

As if


* this includes the caucasus, being a region comprising the extensions of three nations, the russ, the turks, the persians (kurds are a turkic people) and perhaps those of arab or semitic nations too.

** the arab world would happen to be smack in the middle looking onto both sides - though the linguistic implications thereof do not concern us here.


then we have to think what does it take for a person to sound a B as a V.

----------

in the process of imagining realizing the hindu religion is as it were to its people it helps to think of ancient greek religion.

firstly, we must ask whether we can talk of a greek "religion" in the first place. it seems to me from past encounters in reading that individual regions bestowed their own religious elements, not least bringing / adding their regional deity(ies) to the relgious dogma of "belief". it would thus appear that greek religion which we know chiefly via mythology related to us by poets (maybe they weren't poets
at all) was in fact my fragmented regional religions and cults sharing a common general pantheon that rather liberal in its admission policy and a general cosmogony. these common religious elements become closely tied / entertwined with linguistic features (such as greek names for hell like hades and to culture in general (contributing to a large canon of poetry dramaturgy folklore and philosophy).

It seems reasonable that hinduism is similar in this way to its greek
contemporary.

as it were there may have been a brief and interesting encounter between indic culture and perhaps by extension hinduism and buddhism and greek culture in the moment of alexander the great.

another linkage bridging the two east and west localities (hind/sindh
and europe) is the famed indo-european , or indo-aryan connection
connection and ethnic.

a reasonable / useful reminder is the paradoxical disdain of those germanic aryans to the roma who by most trusted accounts hailed from india during the late middle ages.

i was once told that hinduism is a collection or agglomeration of numerous local cults sects and regional folk religions. an agglomeration that catalogues regional and recurrent elements such as deities and that embraces different scriptural books into a common persistent pantheon and textual canon.

it should be understood as such.

i would hazard that the degree of fragmentation not only in a typical "religion" 's divergent spiritual schools but als in its sects is much higher in hinduism than it is in islam (both now with comparable population sizes ).

that degree of fragmentation is a good measure of the aspect of religion concerning the solidity and consistency of its defining dogmatic idiosyncracies.

for instance compare the degree of fragmentation in divergence from central dogma in protestantism with that of its counterpart in catholicism.


hinduism is more fragmented than buddhism as well.


the modern (recent) spread of interest in hindu belief and practices - largely in the form of exceedingly peripheral orders and sect and schools - is trans-atlantic phenomenon. to a larger extent, the
persistence of the hindu collective religion despite the presence of more consistent forms of buddhism , and abrahamic religions , may have been also the effect of a western europe influence in the form of colonization (the dutch and then french and english east india companies , and the raj).

I could not help but notice the effect the raj has had on the displacement of a largely muslim predomination throughout the indian subcontinent , not only in terms of political power but also in terms of population size.

to appreciate the effect this kind of displacement or eradication has on the collective power and reach of the muslim religion,

we can use as an illustration the analogue of the effect displacing the arabic alphabet as the alphabet for many of the turkic languages from xin-jiang/turkestan in the east to turkey in the west,and replacing it with latin and cyrillic on the mutual reach and readibility between arabic and all those languages.

the displacement of both population (by expulsion or extermination)
and influence in many parts of the muslim worlds have been a recurrent pattern in the era european colonization that extends from the late midieval age to the present time. this has also been true in the case of latin american and australian nations and elsewhere.

in light of european colonization's displacement of social orders prevalent in the XVIth cent. the persistence of the archaic hindu system today may have been due to a revival and a patronage exercised over it by the brits.

this is not dissimilar to charges of british incubation of other religious trends such as arabian wahabism or ismaili and bahai religions.

one finds a pattern here, for it was in england as well that some of the more exotic offshoots of protestanism took refuge or were incubated.


Even if this is not true for the modern hinduism in the subcontinent, it would account for much of hinduism's interface with the "west"
(for it is through the residual colonial filter that hinduism comes in contact with arabs africans and latin americans in addition to europe)
particularly in the form of the exceedingly divergent sects and imitations of western-tinted persuasions such as the transatlantic movement of hare krisna - notably with charges of abuses among the western dominated communities.

P.S.

As if to support the argument , after posting the current entry i ran into this passage at wikipedia (
http://en.wikipedia.org/wiki/Hindu_denominations
):
"Influential 19th to 20th century Hindu revivalist organizations include Arya Samaj, Tilak Mission Bhagwan Swaminarayan, Brahmo Samaj, Parisada Hindu Dharma, Prarthana Samaj, Ramakrishna Mission, Sadharan Brahmo Samaj, Sree Narayana Dharma Paripalana, Swadhyay Movement, Swaminarayan Sampraday, Sathya Sai Organisation.

Hinduism was politicized in the context of the Indian independence movement, and has resulted in the rise of Hindu nationalism to a significant political force in the Republic of India." ... Read more