I remember a line from the hit HBO series "Mad Men".
In the episode where Israel and jews are inevitably plugged, the uber dignified and classy jewish retail heiress advises her ad agency exec fling about his Israeli government clients - a not so subtle word to the wise on israelis : "Never cross them!" (the exclamation is mine though).
Sandler makes good on this in his latest soft-porn outing, and does good by his zio-jewish roots.
Putting lipstick (or slapstick) on a pig? You betcha jewish nose, er, ass.
It would be funny, if the pig he was selling wasn't responsible for a continuous stream of war crimes and violations of international law like ethnic cleansing wars of agression and false flag terrorist campaigns.
Of course all the JAP extras in the movie are going gaga over the cod-piece-adorned jewish pretty boy.
Contrary to the apparent patronizing, arab stereotypes remain unchallenged in this shlock and are notched up - but what else could we expect from an israel promotional film?
Here's a joke from the movie: A palestinian business would succeed if only they hired an israeli to pork their neshakhim customers. Geddit? Most arab viewers don't! they just laugh at this shit, not realizing the joke's on them.
Here's another "problem" this film aims to to solve. Arabic mainstream cinema still holding out on profanities, unlike the European counterparts? No problemo. let's work arab profanities into the dialogue of the arab characters used in jewish movies.
The movie makes a lot of points.
First off the bat, Israelis are kickass at hacky sack. Those israelis, they're such peace-loving hippies.
Notice the Arabesque work on the windows at Sandler's israeli home. I couldn't help wondering how many of the American and Arab fans of this movie realize it is probably because the house once belonged to Arabs who were kicked out of it.
And while israelis enjoy the fine healthy low-cholestrol vegetarian cuisine of baba ghanoush and hommos dips , arabs the actual originators of that cuisine and those names eat the bogus "Mukhin Tukhin" - sort of like the Khlash Kalash in the Simpsons episode "Homer vs. the city of the New York" . uh, huh. What else?
Also one learns from this movie that Arabs just love their goats. You gotta wonder why.
And where are the Americans in this movie?
Check out the American's mom getting serviced by the Israeli guys. She doesn't mind even over the protests of her emasculated american son. Must say there's a tad a realism there. After all, if it ain't sexually promiscious it ain't american.
D'ailleurs, only in America does an actor like Sandler get to become a movie star and then get away with bashing and stereotyping Americans as either rich republican community-destroying tycoons or as white supremacist militant gunnuts (or as ex-topless model nymphomaniacs with genital sores like the character portrayed by jewish Lainie Kazan - a real life ex-topless model).
Well, the last i checked Walmart, and all the banks, movie studios and newspapers were owned and run by second and third generation naturalized jewish immigrants.
But why let that get in they way of bashing and demonizing Sandler's own country, huh?
Heck the true blue all-american congressmen and women already debase their own country, way more than Sandler or Shpielberg or Eisner or Weinstein do in their movies.
And Mel Gibson? Bashing Mel Gibson? Ouch.
Why? because he filmed a passion play and said the jews are behind all the wars? It isn't like he was wrong on that one.
There's more. Arabs in the US are not professsionals and academics. But taxi drivers and newspaper stand sellers who order stuff from terrorist shopping lines , and look fearfully over their backs when speaking ill of "Khizballah shmizballah" - as if NYC is awash with arab terrorist ears , rather than with Israeli intel and smuggling mafia.
Back to Arab stereotypes though. Not only they're cab drivers rather than high-end professionals, they're also extremely rude, calling their old lady customers "old cow" and "die in hell".
In contrast of course, the Israeli commando come hair stylist protag is so nice to old ladies, he generates the bulk of the business to the fledgling palestinian hair styling business, literally by turning it into a whorehouse for the aging esteem- and attention-starved ladies.
Are arabs thumbing their nose at this? I highly doubt it. They're too busy eating each other for breakfast and putting each other down , while they're oblivious to this shit. In fact the arabs actually enjoy this crapola, too thick to see the rank anti-arabism and israeli promotion on display here.
The actress' bimbo character has this exchange of lines with Sandnigger, er, Sandler (emphasis mine):
prototypical arab-american bimbo - "i got sick of all the hate, on BOTH sides"
Sandnigger,er, Sandler - "yes , especially yours".
And the arab character takes it, lets that line pass. Her next line?
the model arab female for the jewish producers of this film says: "Both sides crazy".
Both sides crazy?
Where is Said when you need him? Sandler's arab "other" in this film is again feminized. Let me elaborate: It wouldn't be so becoming / seemly /acceptable if jewish commediennes Tina Fey or Molly Shannon or Sarah Silverman played leading parts where they fall in love with an Arab male. Geddit? That's the point.
But to give credit where credit's due, the extras dressed up in veils sitting around John Turturo's character in the one of the scenes at the "mukhy tukhy" restaurant , do indeed look like the veiled Arab sluts and prostitutes that adorn the streets of most Arab capitals. Nice touch , Smigel and Apatow.
Smigel? Smeagul?
In closing, the main point that comes across in this movie is taken: Zionists are as messed up as ever.
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